Tibetan buddhist Temple
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Tibetan Buddhist Art furniture & Antiques from the monasteries of the Ser Shong (Golden Valley)
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Lama's Offering Cabinet B004-02
Baronet 4 Tibet, Art Galleries, Dealers & Consultants, Vancouver, WA
Tibetan Buddhist puja or offering cabinet painted with buddhist symbols
Tibetan furniture painted with Buddhist symbols tantric leopards circa 1850
Tibetan Offering cabinet with auspicious buddhist symbols side view circa 1850
left side
front: 2 doors over 2 drawers
right side

 

Tibetan Buddhist High Lama's offering cabinet from a Labrang at the Senge Monastery. The front doors feature leopards that are symbolic of wisdom and are tantric in their presentation. The overall theme of this cabinet's iconography is that of being an active Bodhisattva with the requisite Bodhichitta wisdom; helping others achieve the same status.   There is an  interior shelf behind the two doors. The shelf is about 1/2 inch thick & made from Asian cedar planks.  The two drawers at the bottom have leather pulls with 18th century coins used as the escutcheon. The door frames and the 'T' wave are done with 24kt gold, as well as the trim on the conch horns on the side panels. Both sides of this cabinet are painted with similar Buddhist symbols.  The door-hinges &  handles are solid brass. There is an interior shelf which was present in the Lama's offering cabinets from 1840 to about 1940. The top is not painted and is attached with bamboo pegs. Comes with a Certificate Of Authenticity, brush signed by a monk at the Senge Monastery. There is some slight kyungbur and paint loss on the right side legs at the very bottom, and the same with the left rear leg.

Age: 1840-1860       
Material:  Asian Cedar and oil pine
Dimensions: H= 40 "  W= 33.25"  D= 16.5" 

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item B004-02 Price $1695.00 plus crating and shipping: West Coast $295, Mtn. States $310, Mid West $325, Atlantic coast $350  other destinations, contact us  for a quote. 

Iconography

The overall theme of this cabinet's iconography is that of being an active Bodhisattva with the requisite Bodhichitta motivation. The simple version is helping others through active compassion. The leopards on the doors are basically reserved for Lamas, and speak to tantric wisdom in acquiring enlightenment. Leopard skins are worn by female wrathful deities, while male wrathful deities wear the tiger skin.  In Tantric Buddhism, the leopard skin represents the death of pride and the acquiring of wisdom and insight, also offering protection to the meditator from outside harm or spiritual interference.

The red and 24kt gold zigzag kyungbur adorning the frame is the transition of passion into compassion and the resultant Buddha like purity of actions and thoughts. The 24kt gold continuous ‘T’-wave just under the top edge of the of the offering cabinet is also called the thunder wave. This is the thunder of the vajra (diamond scepter, dorje in Tibetan), symbolizing skilful means, compassion, samsara. This compassion is an active quality rather than mere sympathetic feelings not transformed into action. Compassion refers to action that is exactly consonant with whatever is occurring and that is not self-referential.

The offering bowl below the tiger has 3 of the 7 Precious Possessions of Chakravartin, the Queen's round earrings, the 8 faceted blue flaming jewel and the tusks of the Precious elephant, which represents the entire elephant. Along with these there are plenty of Cintamani. The term Chakravartin, or Wheel Turner in Hinduism refers to an ideal ruler, but in Buddhism, Chakravartin has come to mean a Buddha whose all-encompassing teachings are universally true.  Chakravartin has an army of 4 divisions, infantry, cavalry, elephants, and chariots. Chakravartin is the lineage of 25 Kulika kings or enlightened monarchs, the 25th of which will finally defeat the "non-believers." The Precious Queen's Earrings. The heavy earrings are taken as a symbol of comprehension of the Buddha’s teachings. The weight of the earrings would have caused the wearers earlobes to elongate. The long earlobes of the Buddha are a symbol of his detachment from all things earthly. The Queen speaks the truth, using no frivolous words and holding no false vices. Likewise the Kings heavy earrings also elongate the earlobes. The surrounded with red flame Eight-faceted jewel, has eight magical properties. It cools when the days are hot, warms when the days are cold, illuminates the darkness of night, causes rain to fall or a spring to appear when one is thirsty, it brings to fruition what ever the bearer desires, it heals emotional afflictions, and cures all of the diseases of those who are in its range of its light and lastly prevents untimely death as in fathers passing on before sons. The Precious Elephant is a symbol of the strength of the mind in Buddhism. Exhibiting noble gentleness, the precious elephant serves as a symbol of the calm majesty possessed by one who is on the path. Specifically, it embodies the boundless powers of the Buddha, which are miraculous aspiration, effort, intention, and analysis. The elephant is an albino elephant, which are noted to be the hardest to train. Cintamani are wish-granting jewels and additionally represent wisdom.  When depicted in sets of 3, they represent the body, speech and mind of Buddha such as the practitioner may possess.  Cintamani are also referred to as the “Thinking Jewel” and symbolize the importance of teaching and as well as the enlightened mind. Pictured here are 6 jewels.  15 jewels are also sometimes seen. The flames around the border of the Cintamani are symbolic of the burning away of false desires and ignorance, giving way to enlightenment.

The drawers have a stylized character shou this is partially hidden by the old coin and is the companion of a Four-Petaled Flower. The shou is presented here in the form of a butterfly. The butterfly is a favored symbol in Chinese art, recalling the dream of Taoist philosopher, Chuang Tzu. Chuang Tzu, having dreamed that he was a butterfly joyously flittering, posed the question, “Did Chuang Tzu dream he was a Butterfly? Or is the butterfly still dreaming that he is Chuang Tzu?” The caterpillar, chrysalis and butterfly, as unified symbols of transmutation, resurrection and immortality, are perhaps best described in the aphorism, “What the caterpillar perceives as the end of all things, the rest of the world perceives as the beginning of the butterfly”. This speaks both to reincarnation and what is reality. The 4-petaled flower is symbolic of the 4 Noble truths, the middle way and the first teaching of Buddha. 1. Life is suffering. 2. Ignorance is the cause of suffering. 3. The cessation of suffering is the goal of life because it transcends pains and pleasure. 4. The way to the cessation of suffering is the Noble Eightfold Path, which aligns with the eight spokes of the Dharma Wheel.

The upper panel on each side displays a conch horn set in the Mahamudra Mists. The right spiraling (echoing the celestial movement of the sun, moon and stars) conch shell is one of the oldest icons in Buddhism. It is one of the 8 auspicious symbols (note that in the originating text for the 8 Auspicious symbols there are 9 listed).   It is made by nature and not man. A conch horn sounds in all directions, as do the teachings of the Buddha. Consequently, the conch is seen as a vehicle fearlessly proclaiming the truth of the dharma in all directions. It is also seen as an emblem of power and authority and is thought to banish evil. The white conch shell was presented to Shakyamuni by the great sky god Indra. The billowing clouds or mist are Mahamudra: the union of compassion and wisdom -- the ultimate realization of one’s true nature.  They are represented as the transformation of our vices into the 4 powers of regret, vow, reliance, and remedy, so the practitioner will realize purification and enlightenment.  This is also the basic meaning of the "Heart Sutra."

The center panel has an ornate alms bowl filled with yogurt and bael fruit. The slow process of making yogurt is an appropriate metaphor for transforming the spirit. By faithfully applying the principles of Buddhism, negative behavior is overcome and the clear mind is revealed. In this case an offering is made of both the yogurt and the coral, which is one of the most precious and valuable offerings. The wood apple, or bael fruit, is a baseball-sized fruit with a hard skin and a sticky, highly aromatic pulp.  This fruit is eaten more for its medicinal qualities than for its taste.  Bael fruit increases one's beneficial, positive karma and thus brings one closer to release from samsara.  The fruit also symbolizes the goal of recognizing emptiness and dependency and the connection between cause and effect.  It challenges us to avoid actions that will cause suffering and to increase actions that will promote healing.

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