Tibetan buddhist Temple
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Tibetan Buddhist Art furniture & Antiques from the monasteries of the Ser Shong (Golden Valley)
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Buddhist Altar Table C401-17

Tibetan Buddhist altar with auspicious conch shell symbol antique tibetan altar hand painted with Cintamani jewels in Buddhist symbols
front left
Antique Tibetan altar back side Antique tibetan buddhist alter right end with 4 petal flower represents the 4 noble truths
back right
Antique tibetan furniture Buddhist altar table with pheonix and other buddhist hand painted symbols  

click on the thumbnail pictures above to see larger views

Beautiful hand-painted Tibetan Buddhist altar table with the Phoenix on top presented in a layer look that dates back to circa 1600 in styling and can be seen on the top of an altar from that period. This look is also evident in the windows of the monks' quarters in the lower Sange AKA Wutun Monastery (this window shot is of the quarters next to the author's when he stayed at the monastery in 2006 doing research). This nicely painted piece of Tibetan furniture was made for use in a Labrang (lama's residence) in central Tibet. When Tibetan Buddhist altars are painted on all 4 sides they are made to be placed in the center of a room with sufficient space to walk around. They were always circumambulated in a clockwise direction. This altar is painted on front, top,  back, & both the right & left ends and was made at the Sange or Wutun AKA Wutong Monastery in Qinghai AKA Amdo region in eastern Tibet.   The only metal hardware on this piece are the brass antique coins used on the drawer pulls at each end. Comes with COA and an iconography.

Dimensions: H=19.75" W=31.5" D=15.75" 
Age: circa 1900
Materials: Juniper and pine


Price $1795.00, plus shipping & handling
Shipping: West Coast $195, Mtn. States $219, Mid West $230, Atlantic coast $245  Canadian destinations contact us  for a quote. 


The red and 24kt gold zigzag kyungbur adorning the frame is the transition of passion into compassion and the resultant Buddha like purity of actions and thoughts. The 24kt gold continuous ‘T’-wave just under the top edge of the of the offering cabinet is also called the thunder wave. This is the thunder of the vajra (diamond scepter, dorje in Tibetan), symbolizing skilful means, compassion, samsara. This compassion is an active quality rather than mere sympathetic feelings not transformed into action. Compassion refers to action that is exactly consonant with whatever is occurring and that is not self-referential.

The top is the most striking part of this Tibetan Buddhist altar table: in the green hued background are 4 petalled flowers, the next layer is gilt in 24kt gold and shows 8 petalled flowers that in turn supports a Phoenix sitting upon a Lotus throne. This all represents a progression, from the 4 noble truths: the middle way and the first teaching of Buddha. 1. Life is suffering. 2. Ignorance is the cause of suffering.  3. The cessation of suffering is the goal of life because it transcends pains and pleasure.  4. The way to the cessation of suffering is the Noble Eightfold Path, which aligns with the eight spokes of the Dharma Wheel. The Noble Eightfold Path is symbolized in the 8 petaled flowers in the next layer. Everything then culminates in the Phoenix which is surrounded by durva grass with the motif set in the Mahamudra mists. The lotus whioch the Phoenix sits upon, is an important Buddhist motif.  Images of the Buddha and other important persons often are shown seated on a lotus throne.  The growth of the lotus, with its roots in mud, growing through water, and emerging as a wonderful plant above the water's surface, is seen as an analogy of the soul’s path from the mud of materialism to the purity of enlightenment. The billowing clouds or mist are Mahamudra: the union of compassion and wisdom -- the ultimate realization of one’s true nature.  They are represented as the transformation of our vices into the 4 powers of regret, vow, reliance, and remedy, so the practitioner will realize purification and enlightenment.  This is also the basic meaning of the "Heart Sutra."

The front and back which are basically identical have as the center piece a gold gilt conch shell horn, set in the Mahamudra mists with two mare's tail cumulus clouds in the mix andf all of this is flanked by green and blue rock cliffs. The right spiraling (echoing the celestial movement of the sun, moon and stars) conch shell is one of the oldest icons in Buddhism.  It is made by nature and not man. A conch horn sounds in all directions, as do the teachings of the Buddha. Consequently, the conch is seen as a vehicle fearlessly proclaiming the truth of the dharma in all directions. It is also seen as an emblem of power and authority and is thought to banish evil. The white conch shell was presented to Shakyamuni by the great sky god Indra. Intermixed with the Mahamudra mists are two mare's tail cumulus clouds which are quite common in Tibet. One significance of these fast moving clouds and the pure clarity of the sky is metaphorically an illustration of the Buddha Mind. Clouds may come and go across the heavens, like the transitory thoughts or delusions which appear to obscure the mind's true nature, yet the nature of the sky remains unchanged. this is like the mirror, which is always unaffected by the appearances which arise in it, the sky is clear, transparent, infinite and immaculate. The rock/cliff formation represents the syllable "E" which appears in the opening stanza of early Buddhist scriptures, ("'thus,' I have heard"). The blue and green cliffs represent the unmoving nature of the mind when enlightenment has been attained. The tops of these cliffs have Kusha grass growing out of them.

The left end drawer has a set of 6 flaming Cintamani, again set in the mahamudra mists with 2 mare's tail cumulus clouds mixed in. Cintamani are wish-granting jewels and additionally represent wisdom.  When depicted in sets of 3, they represent the body, speech and mind of Buddha such as the practitioner may possess.  Cintamani are also referred to as the “Thinking Jewel” and symbolize the importance of teaching and as well as the enlightened mind. Pictured here are 6 flaming jewels.  The flames around the border of the Cintamani are symbolic of the burning away of false desires and ignorance, giving way to enlightenment.

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